Alan Charlton (1948)
Borderpainting
1995 | Acrylic op doek
| 198 x 270 x 5 cm
Is grey always equally grey? And how does a painting interact with light and the space where it is displayed?
By reducing all the traits with which a traditional painting would charm us to a minimum – or even to their essence – Alan Charlton draws our attention to subtleties that we would not normally take into account.
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