A multidisciplinary artist, adept at both photography and sculpture, Alessandro Filippini creates works that favour a close relationship with the viewer.

We are familiar with his group self-portraits in which he stages himself in different attitudes, a multiplication that creates confusion, as does this Cow-mirror. While contemplating it, the viewer is ipso facto integrated into it, just like the environment facing him. This historic work, emblematic of his work at the time, also constitutes a skilful synthesis between pop art and arte povera through the catapulting of the figure and the materials it provokes.

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